Re-imaging the world through contemporary arts practice.
We do this by creating new artistic work, providing professional development opportunities for artists, initiating partnerships and collaborations, producing resources and contributing to talks and conferences locally, nationally and internationally.
Artistic Director, Artist, Public Officer
Vic McEwan is an interdisciplinary artist working with sound, video, installation and performance with a particular interest in site-specific work. He is interested in creating new dynamics by working with diverse partners and exploring difficult themes within lived experience. Vic aims to use his work to contribute to and enrich broader conversations about the role that the arts sector can play within our communities.
Creative Producer, Artist, Secretary
Sarah McEwan is an artist, musician and artist-curator who lives and works on Wiradjuri country in Birrego and on the Eora Nation in Sydney.
She is passionate about 'onto-ethics'; how to make the present world different from the past.
Business Manager, Artist
Lachlan Herd is an artist and arts worker based in-between Melbourne and Sydney. Lachlan has worked in sector investment at Create NSW, for Asialink in their arts team and as one third of the 110% Collective for almost 10 years. He is passionate about supporting the development of original Australian work in the areas of experimental arts and electronic music.
Office Manager and Project Assistant
Kimberley Beattie is a Narrandera local with a passion for community engagement and cultural storytelling. As a short fiction and non-fiction writer, and casual poetry buff, Kimberley loves the power of storytelling in all its forms as a means of bringing people together despite the barriers of time, distance and culture.
The Cad Factory was born from the DIY band and underground warehouse scene that was prominent in Sydney during the 2000s. This time was alive with creative people driven to express themselves in any way they could, in any kind of place, but always amongst a supportive community eager to be part of any activity, in any way.
This risk-taking, filled with care and energy, grew the Cad Factory and built its foundations.
Vic McEwan rents the upstairs of a warehouse at Cadogan Street Marrickville and begins transforming it into a recording studio. Musician Kieran Carroll moves in as a flatmate.
Vic and Kieran put on their first gig as the Cad Factory in their lounge room.
Bands, artists and performers start becoming aware of the space and it grows in popularity as an underground space for interesting (and wild and trashy) nights.
Sarah McEwan starts organising exhibitions. Darrin Baker starts documenting the space through video.
Vic McEwan purchased the Old Birrego School House, 600km south west of Marrickville in the Riverina.
The Cad Factory moves to Handley Street Marrickville.
The Cad Factory has its last gig in Sydney on 6 August then moves to the Old Birrego School House the next day.
The Cad Factory becomes a not-for-profit organisation. The Cad Factory completes the building work and launches its new, purpose-built recording studio.
The Cad Factory becomes a charity.
Keith was a senior official in the Commonwealth Department of Communications for fifteen years. Since 2014, he has mentored technology start-up companies and provided strategic advice to not-for-profit groups including Financial Counselling Australia and Energy Consumers Australia. Keith was a research associate at the University of Technology (Sydney) and an honorary fellow at the Cyber-security Research Centre at Macquarie and Newcastle Universities. He is a member of the Australian Computer Society’s Professional Advisory Board, a vice chair of Internet Australia, and a governing member of auDA.
Sabiene is a senior executive and lawyer with experience running an Australian music industry body, stakeholder relations in NBN and many years in a top law firm. She is passionate about the arts and regularly works with clients across the creative industries. She holds a First Class Honours Degree in Law, Bachelor in International Business and recently graduated from an MBA between liberal arts university Brown in the US and IE Business School in Spain while working for the United Nation's World Intellectual Property Organisation in Switzerland.
Kirsten Wehner is an Australian curator, visual anthropologist and narrative designer. Her practice explores people's inter-relationships with the more-than-human world, with a particular focus on how creative collaboration between artists and communities can build ecological understanding, cross-species empathy, and flourishing multi-species places. Kirsten has worked in the Australian cultural sector for over 20 years, and is currently Director of PhotoAccess, the ACT's centre for photography and photo-media arts. She holds a PhD from New York University and an MA from Central Saint Martins, University of the Arts London.
Tahni is a performing arts producer and consultant based in Albury-Wodonga. She is the Executive Producer at Flying Fruit Fly Circus, and a Producer with Performing Lines. In 2017 she founded her company Froudist, with a focus on contemporary practice and participatory work. Froudist works with artists across the country proudly supporting the development, creation and touring of new Australian work.
Beate is a digital strategist and marketing executive with over 25 years of experience working with companies in Europe and Australia. She co-founded a successful digital agency in 1996 and held various management positions in digital agencies and at a large Australian bank. She now works as a marketing consultant with SMEs and Not-for-Profit organisations assisting them in translating their business objectives into compelling customer-centric marketing strategies. She is a member of the Australian Institute of Company Directors and an Approved Board Advisor at the Advisory Board Centre. She holds a Masters in Visual Communication and Certificates in digital marketing.